The Life of Objects

WOrking through approaches to still life painting

Holidays, Fashion, Society and Death

Time, Place, Ideals, What Is Real?

Orange and Blue Still life

Motherhood - Question the Story Breathed

Mapping Home

Work inspired by the ideal of home

Emotional Map

I have been wondering why a place feels like home. Is it the green grass and waterways that make a place home? or is it how living out life charges every spot with emotion and in time we feel a sense of home.

topographic map

Is it the shape of the land surface that makes this home? Is it the snow covered flatness or the mountainlessness of it?

Random Map

Perhaps it is just a random fluke that I should feel like this place, of all the places in the world, is home?

Like a game that is based on chance, I am here and feel at home.

Like an illness that a few people are some how immune too, it makes no sense why I should feel like this is home.

Like living in a good city that gets hit by riots, there may not be a reason that I can understand in this life.

Disasters and Flowers

Work inspired by Flowers

Scarcity and Sunflowers

Covid Soldiers

Flowers for Dark Days

Flowers and Towers

Experimental Drawing

work inspired by Drawing Experiments

In order to experiment with drawing, I first needed to identify what it means to draw. Four basic tools used in drawing—line, shading, negative space, and form— are used to depict what is there with accuracy.

In these experiments, I started with what was there but used these tools to create something new. For example, I did a drawing of daisies and then pulled the lines from the drawing to create something new. In other works in the series, I played with the negative space, shading and form of oak leaves and spheres.

Can you see something new?

 
 

The Persistence of Light

 

The Interaction of Light

 

The Quality of a Line

 

The Negative Space of Oak Leaves

 

Laws of Motion

Work inspired by the Laws of Motion

Seconds to Decide.jpg

Seconds to decide

There is nothing more captivating than movement to someone that pays attention to what they are looking at.

For as long as I have been drawing and painting, I can’t help but be in awe of how challenging it is to capture something if it is moving.

To draw something like a swimming gold fish or an active fire, an artist has to stop the movement. Essentially, stopping and capturing a moment in time.

That got me thinking a lot about the significance of stopping time as it relates to actions.

I don’t pretend to know a lot about neuroscience, but I have heard about studies that have shown that there are seconds between the thought of doing something and the action that follows that thought.

That is what inspired this painting. The idea that we can stop the movement towards an action. We do not have to inevitably act in a habitual way. We have some seconds to decide upon a different action.

That thought gives me hope. The things that bother me, like a habit or a pattern, I can change. 

We can decide to do something new within a few seconds. We can change.

Think about the exciting possibilities.

Can you imagine?